There are also further examples of paralysis in the story. Despite the opportunity to start a fresh, new life with Frank, Eveline is stuck in the past unable to move forward. Taken from his Dubliners collection the story is narrated in the third person by an unknown narrator and from the opening lines of the story it is apparent that Joyce is delving into one of the major themes of the story, that of memory.
Then a man from Belfast bought the field and built houses in it — not like their little brown houses but bright brick houses with shining roofs.
Though it is as old and dusty as her father's house "She looked round the room, reviewing all its familiar objects which she had dusted once a week for so many years, wondering where on earth all the dust came from"Dublin is at least familiar, and Eveline is a fearful young woman, obsessed with thoughts of wild Patagonians and remembered ghost stories.
Again Joyce utilises memory to highlight to the reader as to why Eveline may have compassion for her father. She is torn between staying at home and looking after her father and younger siblings or moving to Argentina. Is it this nostalgia for old Ireland — embodied by her childhood memories — that prevents her from emigrating with Frank.
Eveline is tired of this life, and so she and Frank book onto a ship leaving for Argentina. The man out of the last house passed on his way home; she heard his footsteps clacking along the concrete pavement and afterwards crunching on the cinder path before the new red houses.
In other words, her line of vision is directed at the evening sky, while for the reader, the approaching evening is merely the backdrop. A connection that Eveline finds hard to break.
Also, be aware that like contemporary airline passengers flying first to a hub airport before boarding planes for their final destinations, Irish travelers for South America at the turn of the twentieth century had to travel first by ferry to Liverpool, England.
Eveline can remember, as a child, playing across the road from her home, in a field that no longer exists.
Like Little Keogh, Eveline too by the end of the story remains crippled or stuck to the past unable to move to Buenos Ayres with Frank. Everybody in her family knows that she is there, but nobody seems to care. First of all, we are watching Eveline as she is watching the coming of evening and can see her head, almost the exact position of it, as it rests against the curtains.
Her father used often to hunt them in out of the field with his blackthorn stick; but usually little Keogh used to keep nix and call out when he saw her father coming.
The story depicts her sitting at a window in her home thinking about her past and future life while observing the daily life on the streets in Dublin. The element of guilt that Eveline feels regards her promise to her mother is also a factor in holding her back and stopping her from leaving for Argentina with Frank.
She clutches the barrier as Frank is swept into the throng moving toward the ship. But also a positive semantic field can be found as a sign of positive emotions and life, which express a feeling of hope in contradiction to the omnipresent death: While Frank is boarding the boat, Eveline stands motionless, staring at him.
She sees Frank as a rescuer, saving her from her domestic situation. That was a long time ago; she and her brothers and sisters were all grown up her mother was dead.
Like Little Keogh, Eveline too by the end of the story remains crippled or stuck to the past unable to move to Buenos Ayres with Frank.
When he eventually hands over his housekeeping money, Eveline has to go to the shops and buy the food for the Sunday dinner at the last minute.
On the docks with Frank, the possibility of living a fully realized life left her. Like the furniture around her is old and covered with dust or broken she behaves in an equal static way and seems to be connected to the room like its inventory.
Even when she is standing by the dock with Frank, she remains unsure of what to do and through prayer, seeks guidance. Why do we place our focus immediately on the character when they are noticing something else.
Or is it a nostalgic attachment to Ireland, and the happy memories that it carries for her, even though most of the people who shared those memories with her have either emigrated back to England, revealingly or have died.
Tizzie Dunn was dead, too, and the Waters had gone back to England. She cannot let go of the past, as the early sections of the story reveal: Eveline is a young woman living in Dublin with her father.
Eveline's Empty Spaces It seems highly appropriate that James Joyce lived in Europe during the time of Cézanne, Seurat, Gauguin, and Matisse; throughout his book Dubliners he sketches his characters in a style that could be characterized as post- impressionist.
As usual, Joyce holds the Catholic Church and England accountable, albeit subtly.
Though Eveline's father's cry of "Damned Italians! coming over here!" is of course irrational, it reminds the reader of the seat of the church's power in Rome, and the way that power affects even distant Ireland.
Join now to read essay Stylistic Analysis of James Joyces Eveline In the short story Eveline by James Joyce, the author challenges the morals of a young /5(1).
Stylistic Analysis of James Joyce's Eveline Essay example Words | 3 Pages. Stylistic Analysis of James Joyce's Eveline In the short story Eveline by James Joyce, the author challenges the morals of a young woman torn between desire and familial obligation.
Dubliners study guide contains a biography of James Joyce, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis. Dubliners Summary and Analysis of Eveline. Buy Study Guide. Summary: Style; Media adaptations. A summary of “Eveline” in James Joyce's Dubliners.
Learn exactly what happened in this chapter, scene, or section of Dubliners and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.Stylistic analysis of james joyces eveline